Culture / People
Paris Opera Ballet’s Hannah O’Neill knows how to speak your language
“I loved the attention, everyone watching me dance. But it wasn’t just about performing for others – I also danced a lot in my own time.”
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“I loved the attention, everyone watching me dance. But it wasn’t just about performing for others – I also danced a lot in my own time.”
“It’s still special to be able to realise what we’ve done and what we’ve achieved with the team.”
Artists, designers, rebels, and romantics. They’re shaping who we are and where we’re going.
“The first four years of acting, I was relying a lot on instinct, and I realised at some point that I was a little bit limited in that way, and I was coming up against blocks. I needed and wanted a toolkit, I wanted to respect the craft of acting rather than just expecting that I would do it right.”
Thirty years. on, and we’re still obsessed.
“I remember just bawling my eyes out and physically jumping with joy. People were looking at me strangely like ‘is she okay’ but I was just in complete disbelief. “
“We want her for the long term, not the short term,” said Tameka Yallop.
“We’re getting to a point where everybody has such a crazy footprint. It’s kind of sad we can’t just pack up, become new people, and remake ourselves in the way that even 20 years ago you could.”
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