Culture / People
Paris Opera Ballet’s Hannah O’Neill knows how to speak your language
“I loved the attention, everyone watching me dance. But it wasn’t just about performing for others – I also danced a lot in my own time.”
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“I loved the attention, everyone watching me dance. But it wasn’t just about performing for others – I also danced a lot in my own time.”
BookTok devotees, this one’s for you.
For First Nations rapper Miss Kaninna, the stage is a platform to express, to subvert, and to speak her truth. And she wants the beat to land as hard as the message.
The film will draw from filmmaker Ray Mendoza’s own experiences as a decorated Navy SEAL.
In conversation with NON founder and artistic director Davide Di Giovanni on his hypnotic film ‘The Innocence of a Dream’.
Consider this your exclusive invitation.
The ultimate day-to-night venue.
From Taylor Jenkins Reid’s new space novel to a new ‘Hunger Games’ prequel
An Australian cultural tradition as old as time, here’s what you need to know about the public holiday.
“It’s still special to be able to realise what we’ve done and what we’ve achieved with the team.”
Loves it. Do you love it?
Artists, designers, rebels, and romantics. They’re shaping who we are and where we’re going.
Everything we know so far…
“The first four years of acting, I was relying a lot on instinct, and I realised at some point that I was a little bit limited in that way, and I was coming up against blocks. I needed and wanted a toolkit, I wanted to respect the craft of acting rather than just expecting that I would do it right.”
Thirty years. on, and we’re still obsessed.
The director is lending her eye to a new medium.
Praying that Harris Dickinson is the next cast member confirmed…
‘RUSSH’ speaks with Tony Albert, Fondation Cartier pour l’art contemporain’s First Nations Curatorial Fellow, about Badu Gili.