Just two days into Paris Fashion Week, and we’re already caught in the whirlwind of its opulence. With only a taste of what's to come, we’re left craving more of the crème de la crème that PFW has teased.

As the final fashion week of the month, Paris is undoubtedly one of the most anticipated events of the season. By day two, we’ve already seen Dior's Spring/Summer 2025 show conjure a warrior princess atmosphere with bodysuits and fringed skirts. Most notably, archer Sagg Napoli opened the show with arrows in hand, setting the tone for a collection aimed squarely at fashion’s bullseye. Bella Hadid also made her runway return for Saint Laurent, while Ganni bid farewell to Copenhagen Fashion Week, making their highly anticipated Paris debut.

Looking ahead, we’re eagerly awaiting creative director Alessandro Michele's runway debut at Valentino, after his departure from Gucci in 2022. Equally as exciting is the Dries Van Noten show—the house’s first collection since the eponymous designer stepped down in June. Meanwhile, CHANEL will present its collection this season without a creative director at the helm. And further other shows like Loewe, who will not only spiral us into amazement of what the houses creative director Jonathan Anderson can distort and refigure into absolute genius this season–not to mention where all our internet boyfriends like Drew Starkey and Josh O'Conner will be. Naturally, causing the internet to gnaw at their bars, wishing they too were seated FROW.

Without further ado here are all the highlights from Paris Fashion Week SS 2025.

 

Christopher Esber

After winning the 2024 Andam Grand Prize earlier this year, and their ethereal Spring/ Summer 2025 collection–this truely might be the eponymous designers year. In this show there were his signature explorations of skin, shape, and form reached new heights, drawing from the body’s natural lines and contours. Esber is known for his precise cut-outs and minimalist silhouettes, that these pieces once again went above and beyond, as he expanded his repertoire with an emphasis on texture and movement. The palette was a serene blend of sandy neutrals, soft whites and leatherss, grounded by deeper tones of blue. The interplay between fabric and skin was striking, with asymmetric hemlines and draped skirts swaying fluidly. Esber’s mastery of deconstruction was on full display as pieces seemed to unravel and reform, playing with the viewer’s perception of structure and fluidity, through feathers, sheerness and beads. Layering was reimagined with a fusion of structured tailoring and diaphanous overlays, creating tension between restraint and freedom.

 

Chloe

Chemena Kamali's  second collection was heavily anchored in lightweight materials—gossamer-like layers of tulle and lace framed many of the designs, creating an almost weightless aesthetic. There was a distinct link to lingerie-inspired dressing, with bralettes and slip dresses paired with voluminous, gathered skirts and wide-leg pants. The balance between revealing and covering felt intentional, allowing the garments to play with both sensuality and modesty. Encapsulating the spirit of bohemian elegance, with a newfound focus on craft and texture–where other houses have taken a more 80's approach to their designs, Kamali went one decade back to the expressive 70s'. Reviving Karl Lagerfeld's designs from that era, when he was creative director of Chloe–puffy sleeves with delicate fabrics that swayed and moved with the body.

 

Dries Van Noten

The first Dries Van Noten show without the man, the myth the legend himself–but you bet Dries was FROW watching it. This collection was a masterclass in controlled chaos, capturing a surreal yet grounded elegance, where the 80's seem to be trending this season. Held in a dimly lit Parisian warehouse with wooden chairs for guests, the ambiance felt almost clandestine. Silhouettes were sharp with shoulder pads but never rigid with deconstructed blazers paired with delicate, flowing skirts, and shimmering fabrics underneath. There was a tension between utility and luxury that felt very Dries. The colour palette, a flushed fusion of muted earth tones with jolts of iridescent greens, blues and most predominately–patterns; leopard, floral, lace, python. Sheer layers played peekaboo with satin and brocade, that created movement and depth amongst the patterns. The makeup and hair was incredibly complimenting, with coloured mascara and dipped pink hair.

 

Acne Studios

Colour was used sparingly but intentionally for this show—muted tones of beige, tartan, off-white, and olive contrasted with bold pops of yellow. It was all about the layering and the way pieces sat on the body, something Acne Studios explores very well in their collections. Low waist, with heavy wider styles in denim, polka dots, light 80's florals and evening crochet. The silhouettes, while oversized, maintained a crispness, almost sculptural in form. This was offset by knits and sheer fabrics that clung to the body, exuding a subtle sensuality. The juxtaposition of hard and soft became a recurring theme, as oversized trench coats and pants were paired next to delicate sheer layered dresses. Texture was a focal point throughout the collection. Acne Studios explored materials with a lived-in feel, from crinkled fabrics to raw edges. This collection felt like a reinvention of your everyday pieces.

 

Ganni

Though they were in Paris, Ganni unveiled its SS25 collection with a spirited energy that felt distinctly modern yet remained true to the brand’s Danish roots. Sustainability was at the heart of the collection, which celebrated contrasts—blending soft, feminine details with Ganni’s signature utilitarian edge. Slinky slip dresses and sheer layers were balanced by bold, structured outerwear. The palette spanned from deep blacks to electric green neons, creating a visual harmony that struck the perfect balance between understated and attention-grabbing. Prints were playful yet refined, with checks and florals that felt fresh, not fussy. Chunky sandals, oversized rounded leather totes, and scarves elevated the looks, adding playfulness and softness against the collection’s standout hardware. Ganni once again proved why it remains a go-to for those seeking to dress with both ease and individuality, setting the tone for effortless summer dressing with a twist.

Rabanne

A moment of metallic reverie. Rabanne for this collection brought chainmail dreams to life– it wasn’t rigid or hard-edged—it moved like liquid. Fluidity reigned, with dresses shimmering in soft waves, catching the light just right. The show felt like a nod to disco nostalgia, but with a modern twist. Models floated down the runway, metallics shifting from gentle pewter and bronze to neon flashes that gave everything a jolt of energy. You could almost feel the rhythm of the clothes. Bold shoulders, sculpted lines, but with a softness that brought a sense of ease. Rabanne managed to make something as hard as chainmail feel like silk. It was confident, cool, and effortless.

 

Balmain

Since a successful Met Gala with Balmain being crowned as having some of the best looks that night, we have been eager to see what else Balmain achieves. This collection felt like military precision with high-voltage glam of the 2000s. Structured jackets with gold accents, dresses that sculpt and command attention, all with a touch of Rousteing’s signature drama in the shoulder pads and prominent hips. Every piece had weight, but it wasn’t heavy. Gold took centre stage, lighting up the runway against deep, moody shades of black, creating a balance between power and seduction. Breaking between the black pieces were mini gowns with fragments of faces beaded onto dresses.

 

Saint Laurent

The 80s workplace dress code felt undeniably present in this collection—tucked-in, boxy striped shirts, neutral-colored ties, and thick-framed glasses dominated the scene. Yet, there was an undeniable undercurrent of sensuality, sharpness, and unapologetic power, weaving through the obvious nods to nostalgia. More so, the air was perfumed with elegance and rebellion, perfectly encapsulating the brand’s essence. Creative director Anthony Vaccarello pushed boundaries, merging sleek, tailored silhouettes with bold, architectural shapes. Razor-sharp suiting in deep, moody tones was juxtaposed with barely-there fabrics, while sharp shoulders and precise cuts danced with flowing textures, creating dynamic tension. Vaccarello’s play with texture was particularly notable—leather trench coats, glossy satin dresses, and shimmering metallics flowed seamlessly together. Bella Hadid made a memorable runway return, dressed in a simple oversized black suit, crisp white shirt, black tie, and slicked-back hair, accentuated by thick black-framed glasses. Elegant and at ease, her palpable return was a moment welcomed with open arms.